Midwife, aborted Page 14


From the continuing webcomic series Dystopia: Midwife, aborted - Page 14. Angie and 8244, midwives dressed in light blue body suits and bright white battle masks stand on a balcony in a an expansive chamber with stone walls and vaulted ceilings. They gaze upon the Ophan which dominates the space… A towering, cylindrical machine lined with three rows of pods that line the exterior circumference of the cylinder. Encased within each pod of the mechanical structure is a human-like figure restrained and physically connected to the machine. The Ophan hums with power, unleashing bursts of yellow and orange energy that spiral upward toward the chambers vaulted ceiling. An armor clad "Guard" has climbed the stairs unsheathing bright red energy blades from their oversized fists. Meanwhile, a "tender" emerges near the Ophan wearing energy protective gear. They hold what appears to be a large tuning fork that attracts energy that arcs off the walls of the Ophan. The border of the panel is filled with a distorted view of information, interference, and clouded vision that includes text chanting in Latin: “Fortitudo Tribunalis! Fortitudo Mentis! Fortitudo Animae! Obedientia Tribunalis!” (Strength of the Tribunal! Strength of Mind! Strength of Soul! Obedience to the Tribunal!). The "tender" grips his tool tightly, as the midwives leap into action.

Chapter 02: Midwife, aborted – Page 14

Page Notes: Angie and 8244 engage the Ohan Guard and Tender! Let the fun begin... There's only two panels in this week's offering of the Dystopia webcomic, but there's a lot to unpack here. 

One of the things that an artist (writer or artist) considers in approaching each page of the comic is, "Will each detail in the script be conveyed on the finished "page"? Often, there's subtleties in the narrative that convey from whose point of view is the scene perceived... An example are the panels in which we are seeing events from the perspective of Angie. We view an information overlay and coloration in the hue of the panel and border to convey perspective. The expectation based on Jackwraith's script and the sequential storytelling, is that this (alth0ugh not spelled out) will be understood by the reader.

I won't go into detail, but as with may pages of the story, a similar complexity is present on page 14. From a personal perspective, it can be difficult to get a feel for this "familiarity" that I referenced concerning Angie's perspective when reading one page per week. My impression from the first chapter "Into Darkness" after reading the complete story in one sitting was very different - there was a cohesiveness that was difficult to assemble from viewing the individual pages. I would encourage you to give it a try.

Until next week...