Generated by All in One SEO v4.9.9, this is an llms.txt file, used by LLMs to index the site. # DYSTOPIA | Supernatural Cyberpunk Webcomic Series A weekly indie comic of collapsed cities, control systems, and inhuman forces. ## Sitemaps - [XML Sitemap](https://www.dystopia.ink/sitemap.xml): Contains all public & indexable URLs for this website. ## Posts - [The Need for Intermission](https://www.dystopia.ink/2026/07/09/the-need-for-intermission/) - The Need for Intermission This week on Patreon, Jackwraith looks at why Dystopia is taking a short interlude between Chapters Three and Four. The post explores how these intermission pieces give readers a moment to breathe while also widening the world of Haven. Jackwraith discusses the larger story structure behind Dystopia, the practical rhythm of - [In the grim darkness of the far future...](https://www.dystopia.ink/2026/06/15/in-the-grim-darkness-of-the-far-future/) - That title is the opening to the tagline of Games Workshop's Warhammer 40K miniatures game; a game I played for around 15 years (along with Warhammer Fantasy Battles, Battlefleet Gothic, Epic Armageddon, Necromunda, Mordheim, Battlemaster, Man o' War and pretty much anything that GW produced in their minis line. Yes, I was in deep.) It's - [New on Patreon: Lines That Help Carry the Weight](https://www.dystopia.ink/2026/06/04/new-on-patreon-lines-that-help-carry-the-weight/) - Comics are often remembered for their biggest moments: the reveals, the action, and the images that stay lodged in your memory long after the page is turned. But those moments rarely stand alone. Using a recent page from Dystopia as a starting point, Jackwraith explores how dialogue can shape pacing, reinforce tension, and help support - [New Patreon Essay from Jackwraith](https://www.dystopia.ink/2026/05/25/new-patreon-essay-from-jackwraith/) - Jackwraith’s latest Patreon post, “Action and Reaction,” explores how motion, consequence, and escalation shape the pacing and tension inside Dystopia. From collapsing environments to the chain reactions unfolding beneath Haven, the essay examines how small visual and narrative moments build toward larger catastrophe. For readers following Chapter Three: SCYLLA, the post offers another look behind - [The Visual Medium](https://www.dystopia.ink/2026/04/02/the-visual-medium/) - This week, Jackwraith elaborates on how stories, ideas, and creative instincts shape the way he writes. He explores how experiences foster a trust and confidence in atmosphere, restraint, and the spaces between words... principles that guide the narrative voice of Dystopia. It’s a thoughtful look at the origins of a writing style that feels both - [Splash-tastic](https://www.dystopia.ink/2026/03/20/splash-tastic/) - Jackwraith reflects on the construction and intent behind the featured splash page, focusing on how scale, composition, and visual pacing are used to immerse the reader in the environment of Dystopia. The post explores the balance between detail and readability, and how the page serves as both a narrative pause and a moment of atmospheric - [Jackwraith on Process, Perspective, and Progression](https://www.dystopia.ink/2026/02/14/jackwraith-on-process-perspective-and-progression/) - In their latest post, Jackwraith turns inward toward the mechanics of storytelling examining how perspective, structure, and pacing shape the experience of the world beneath Haven. Rather than focusing on surface action, the essay looks at how narrative layering builds tension over time, and how subtle shifts in viewpoint can redefine what feels immediate versus - In their latest post, Jackwraith turns inward toward the mechanics of storytelling examining how perspective, structure, and pacing shape the experience of the world beneath Haven. Rather than focusing on surface action, the essay looks at how narrative layering builds tension over time, and how subtle shifts in viewpoint can redefine what feels immediate versus distant, controlled versus unstable. - [Live hangout February 21](https://www.dystopia.ink/2026/02/07/hangout-february-26/) - On Saturday February 21, we’ll be hosting a live hangout on the Dystopia Discord, and you’re invited to drop in, listen, participate, or simply lurk. The evening will be an open, informal space to talk shop: creating comics, sharing observations about Dystopia, discussing process, and exploring how pages come together in real time. There’s no agenda and - [Jackwraith examines "The Real" & "The Now"](https://www.dystopia.ink/2026/01/29/jackwraith-examines-the-real-the-now/) - A new essay is live on the Dystopia Patreon, where writer Jackwraith reflects on the origins and meaning of the ShadowNet, tracing its roots back to early online communities and the lived experience of existing simultaneously in physical and digital spaces. The piece explores how Dystopia treats the digital world not as an abstraction, but - [New Behind-the-Scenes Lore Commentary Posted](https://www.dystopia.ink/2026/01/21/new-behind-the-scenes-lore-commentary-posted/) - A new behind-the-scenes article exploring the mythological and narrative roots of Chapter Three: SCYLLA has been published on the Dystopia Patreon. Jackwraith examines how ideas of lore, risk, and inherited mythology influence the Dystopia current chapter and how those concepts translate into the world of Haven. The webcomic continues to update weekly on the Dystopia - [Character Sketch - The Mime](https://www.dystopia.ink/2026/01/08/character-sketch-the-mime/) - This sketch is a quiet nod to a figure that’s been hovering at the edges of Dystopia for a long time. You may recognize The Mime from Dystopia Chronicles, a five-issue series published years ago through 5th Panel Comics. Those stories live outside the current weekly pages, and Jackwraith hasn’t formally introduced the character in - [Welcome aboard the Dystopia patreon](https://www.dystopia.ink/2025/12/20/newsletter-01-test/) - This is a quiet side door into the world you’ve already glimpsed on the dystopia website. The comic pages, the strange fragments of “found footage,” the clinical readouts and half-remembered conversations. All of it is part of the same signal. If you’ve been reading closely, you already know that nothing here is accidental. Even the - [WIP: The Chamber](https://www.dystopia.ink/2025/12/20/wip-the-chamber/) - From Chapter 3: Scylla - A sneak peek at some of the underground activity... Ventrik and Tanya emerge into the Chamber - this is where we're heading. - [The Dystopia evolution - the descent continues](https://www.dystopia.ink/2025/12/21/the-dystopia-evolution-the-descent-continues/) - If you’re reading this, you’re already part of the signal and you have our heartfelt thanks.For a while now, the Dystopia newsletter has lived a little apart. Quiet. Independent. Slipping through inboxes with updates from Haven and notes from behind the panels. That’s changing. The monthly Dystopia newsletter will live on our Patreon.Before alarms start flashing, take a - [Creative Resources: Podcasts](https://www.dystopia.ink/2025/06/30/creative-resources-podcasts/) - Diving into the world of webcomics, podcasts became a convenient and valuable resource to understand the changes in landscape since Jackwraith and I had managed the 5th Panel Comics website 25 years ago. Back then, the small press world was akin to the wild west, and everybody was making it up as they went along. - [Creative process and long-term visions](https://www.dystopia.ink/2025/05/31/creative-process-and-long-term-visions/) - It's sometimes difficult being "just" a writer in a visual medium. Despite the fact that writers are the very foundation for those media (be they films, television, comics, video games, or something else), they're often deeply in the shadows of the primary driver, which is what you can see, be it artwork or graphics or - [Persistence unto (and sometimes through) death](https://www.dystopia.ink/2025/04/06/persistence-unto-and-sometimes-through-death/) - It's been a couple months since the last time I tapped out one of these. In the interim, I've been writing in other places, although not as often as I could've been there, either. I've also been working on the script for chapter two in the story that Jeff and I are telling- Midwife, aborted - [The concept of oligarchy](https://www.dystopia.ink/2025/01/27/the-concept-of-oligarchy/) - The third level is the one that fits most neatly into the old school cyberpunk vision that drove a lot of the Dystopia setting. It's very high-tech. It has a lot of cyberized-type characters and it contains that "corporations as ultimate authority" idea that everyone remembers from the work of people like William Gibson. That - [The essence of control rings out](https://www.dystopia.ink/2024/12/09/the-essence-of-control-rings-out/) - In some ways, the Control Ring (level Two) of the city is the most obvious of settings and, in turn, the most aptly named. Government of any kind is essentially about control: controlling who is considered a citizen, what the borders are, and how the rule of law (if any) is implemented. There are certainly - [The tribal mentality](https://www.dystopia.ink/2024/11/18/the-tribal-mentality/) - As I mentioned in the historical publication piece, the gangs have almost always been a fascinating topic for whomever has read the bible. When I started listing them off on that day that I dumped the majority of this whole concept onto a keyboard, a lot of them had come from the fabled notebook but - [Shadows on (and off) the 'Net](https://www.dystopia.ink/2024/11/14/shadows-on-and-off-the-net/) - The opening story, Into Darkness, is primarily concerned with what's happening in "the Real" as the city expression goes. We're presented with Force Command, which is the main route of interaction with the outside world, which is almost always only part of the Real. We're also primarily concerned with the manifestation of the Netwights and - [Plans for the moment](https://www.dystopia.ink/2024/07/21/plans-for-the-moment/) - When Jeff suggested that we try to get back into comics (him drawing and me writing), he immediately suggested the Dystopia material that I've been regaling you with in these first few posts. When he did that, he asked me to send him everything: the "bible", the scripts, future story notes, and so on, as - [Edge of the known world](https://www.dystopia.ink/2024/07/19/edge-of-the-known-world/) - Dystopia was originally envisioned as a multi-genre project. Early in the lifetime of Fifth Panel, we didn't have a ton of variety in our genres (e.g. it was still mainly superheroes), but there were at least some variations in approach, in that some characters were more sci-fi-oriented and others more horror-oriented and so forth. My - [The grand vision](https://www.dystopia.ink/2024/04/30/the-grand-vision/) - Me being me and having new stories and characters springing into my head on an hourly basis, I immediately knew that just doing one book and calling it "Dystopia" wasn't going to serve the situation. With a setting that was already crossing genres, I figured there had to be some kind of general direction for - [The origin story](https://www.dystopia.ink/2024/04/20/the-origin-story/) - The most basic identity of the Dystopia setting was two-fold: 1. It was a place that everyone at Fifth Panel Comics could play around in. 2. It was a way to compile a ton of random ideas that I'd built up over the years and do something interesting with them. That's pretty much it. I - [Welcome to Dystopia](https://www.dystopia.ink/2024/04/14/the-journey-begins/) - A wonderful aspect of life is that nothing is ever "done" and Dystopia as a concept and a project is no different. Originally, Jackwraith had built this world based on concepts that piqued his interest and, over time, that idea grew to something that would allow us (and others) to utilize the various levels of - [Happy First Anniversary](https://www.dystopia.ink/2025/11/02/happyanniversary1/) - This week marks a full year since Dystopia began its descent Into darkness. For Alfa and Jackwraith, it’s been a journey of discipline and discovery. Each week has brought a new page and a new piece of the puzzle that connects humanity, technology, faith, and the supernatural in a world rebuilt from ruin. Read more HERE. - [Gardening around neural nets](https://www.dystopia.ink/2025/09/29/gardening-around-neural-nets/) - AI, or artificial intelligence, is the topic of the moment. From kids using it to write their papers to corporations deciding that it can replace whole swathes of their employees, it's the latest hot thing in how the economy that must grow in order to serve its existence is going to transform the world. Of - [Detroit WebComicon 2025](https://www.dystopia.ink/2025/09/15/detroit-webcomicon-2025/) - sypernatural cyberpunk comic book ## Pages - [About](https://www.dystopia.ink/about/) - The Story The free weekly webcomic updates on Monday. Dystopia offers unique takes on storytelling through genre-spanning arcs set in a richly imagined, multi-layered world. Across its towering levels and shadowed undercity, you’ll encounter cyberpunk conspiracies, gangland rivalries, corporate cults, digital ghosts, and the quiet struggles of those trying to survive between the cracks. With - [Comics](https://www.dystopia.ink/comic/) - # - [Patreon](https://www.dystopia.ink/patreon/) - [Chapters](https://www.dystopia.ink/chapters/) - [Home](https://www.dystopia.ink/home/) - [More Characters](https://www.dystopia.ink/more-characters/) - [News](https://www.dystopia.ink/news/) - [Shop](https://www.dystopia.ink/shop/) - [Sample Page](https://www.dystopia.ink/sample-page/) - This is an example page. It's different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this: Hi there! I'm a bike messenger ## Comics - [Chapter 04: Shadow's Depths - Page 02](https://www.dystopia.ink/comic/sd0402/) - A Dystopia comic page shows Bradson and Frazier trapped beneath the Spill in a collapsed underground space lit by a green glow. In the first panel, Frazier is shown from the chest up in his green military uniform and cap. He looks worried and asks whether there is a recovery protocol under the Spill and whether anyone will try to dig them out. The second panel is a close view of Bradson adjusting his vision gear. He explains that even if rescue is possible, anyone lost out here is considered lost. He says no one who has been as close to “those things” as they have has ever made it back, and he doubts anyone would change the “shoot on sight” directive just because Frazier is a full bird. In the third panel, Frazier reacts with disbelief as Bradson gets the night vision overlay working, casting a bright green glow across the space. Frazier repeats, “Shoot on sight?!” and asks what Bradson is talking about. The fourth panel pulls back to show Bradson and Frazier kneeling among rubble, broken concrete, and twisted debris. Bradson explains that they will be assumed infected and shot like anything else moving on the Spill. In the fifth panel, Frazier coughs and angrily insists that the idea is insane, saying they are part of the Force and that there has to be a rescue procedure. The final panel shows Bradson turning sharply toward Frazier and pushing back. He says there does not have to be anything, reminding Frazier that the Force is voluntary, that they took the risk and will pay the price, and that the virus carried by the creatures spreads easily, especially through the Net. He ends by saying that everyone is plugged in. - [Chapter 04: Shadow's Depths - Page 01](https://www.dystopia.ink/comic/sd0401/) - A Dystopia webcomic page opens Chapter Four, Shadow’s Depths. The first panel is a title card on a dark gray background with the Dystopia logo, the words “Chapter Four”, and the chapter title “Shadow’s Depths” in large glitch-styled lettering. Two narrow dark panels follow. One contains the sound effect “scrabble” against blackness. The next shows only darkness and a speech balloon with a cough. The page then reveals Bradson and Frazier trapped beneath rubble in a cramped, collapsed space. A yellow caption box reads, “There is such a thing as absolute darkness, either that or we’re dead and it’s much less exciting than anything Jimmy promised.” We see Bradson partly buried under broken concrete and twisted debris, his green military uniform and helmet visible in the dim light. In the next panel, Bradson adjusts his vision gear while surrounded by cracked concrete and metal supports. Another yellow caption box says that Jimmy did not really say much about the hell after the “Hell on Earth” the city had become. A wider panel shows Bradson still working with his helmet and goggles while Frazier awakens nearby in the rubble. Frazier asks, “Where-? What happened-? Where are we?” Bradson’s caption says Jimmy was timely and lived in the moment. The final panel shows a close view of Bradson tapping his earpiece and adjusting his vision system. He tells Frazier he has no idea where they are, but assumes they are somewhere under the Spill. He explains that they were sliding toward a large crater when the last shell hit. - [Chapter 03: Scylla - Page 22](https://www.dystopia.ink/comic/sc0322/) - A large tendril from the creature sweeps overhead as Ventrik ducks low to avoid it, the motion cutting through the air above him while debris and water shift across the chamber floor. In the next panel, Ventrik crawls toward a shallow pool of water at the base of the chamber. Behind him, the creature’s mass fills the space as multiple silhouetted figures are struck or pulled into its tendrils. Some bodies break apart into ash-like fragments and liquid upon impact. A yellow caption box reflects Ventrik’s internal thoughts, noting the fine ash and questioning where the mass and liquid are going. Ventrik looks upward as the creature reacts violently. Debris falls from above while silhouetted figures leap or are thrown down through the broken opening, reinforcing the ongoing conflict on the surface. A yellow caption box continues his analysis, focusing on the creature’s glow and radiation-like qualities. In the fourth panel, one of the creature’s tendrils is shown pinned beneath fallen rubble near the water’s edge. Blood is visible nearby among the debris. Ventrik’s internal captions question why the figures remain gathered and whether something is drawing them in. The final panel moves closer to the trapped tentacle, emphasizing its partial stillness beneath the rubble. Additional yellow caption boxes convey Ventrik’s continued internal thoughts, suggesting a pattern to the behavior and questioning whether the creature is influencing the figures rather than acting randomly. - [Interlude: advertisement](https://www.dystopia.ink/comic/int10/) - A Dystopia interlude between chapters three and four. We view the final of four found artifacts from the world of Haven. The image is a loud, brightly colored advertisement for a fast-food chain called Burger Clown. At the top, huge yellow letters with a bold red outline read “BURGER CLOWN!” against a pale yellow burst of radiating speed lines. A rough hand-painted black exclamation mark sits to the right of the logo. Below, a wide-eyed clown leans in from the left side of the image. He has wild red hair, a chalk-white skin that does not appear to be face paint, and stares directly at the viewer with wide, maniacal red eyes. Blue accents appear above and below his eyes, and bright green lips frame a wide, toothy grin. He wears a pale ruffled clown collar. To the right is an oversized hamburger with a sesame seed bun, curly green lettuce, red onion slices, tomato, melted cheese, a thick beef patty, and sauce dripping from the bottom. The food is rendered in an attractive, tempting style. Large black text at the bottom reads “IS HERE FOR YOU!” Smaller text below says, “As long as you need our burgers, we’ll be around!” A final line reads, “Come see us on levels 3 AND 4!” The dystopia.ink URL appears in the bottom right corner. - [Interlude: broadcast](https://www.dystopia.ink/comic/interlude-broadcast/) - A Dystopia interlude page presents a found artifact. Against a gray, stormy sky with faint city buildings at the bottom, a television-news style graphic fills the top of the page. A red-and-yellow “23 News” sidebar and a black headline bar read: “BREAKING NEWS ‘Garden’ appears at ‘Dystopia’.” The inset image shows part of a strange dome with a transparent hexagonal surface rising over a shattered cliffside landscape, with dark tree silhouettes and fragments of structures around it. Beneath the news image, a jagged white quote box contains a reporter’s statement to “Rhonda,” explaining that locals do not know how the dome appeared. The report says that one day the area was part of the shattered cliffside known as “the Rim,” and the next day there was a picturesque garden enclosed in a dome made of an unknown material. The reporter adds that a young Asian man at the dome’s edge said the owner of “the Garden” is a man named Epicurus, like the ancient Greek philosopher. The page ends with the note that no one interviewed knows who that is either. - [Interlude: the hymn](https://www.dystopia.ink/comic/int08/) - A found artifact from the world of Dystopia is shown as a crumpled sheet of lined notebook paper lying on a wood surface. The lower left and bottom edges of the paper are burned away, leaving dark scorched borders. Two notebook holes are visible on the left side, and the page is wrinkled and worn. The text on the paper is written in jagged black handwriting. It reads: “The shadows are deep The life source’s poor No souls exist that can survive through that door we wait for the word that wills us to be The warriors of those who can still see Our time has come The blackness declares The shadows that herald our march on the stairs The path laid before us Leads right to that door All sing the whispers of the Lords of the Morgue” - [Interlude: The memo](https://www.dystopia.ink/comic/int07/) - A fictional corporate memo from Überreich Synthogen is shown on a white page. The company logo appears at the top, a medical cross inside a red circle above the company name. The memo is titled, “Re: June memo on the separation of our organizations,” and is addressed to the board of directors, primary shareholders, and executives of Überreich Munich. The body of the memo explains that Überreich Haven has chosen to separate from the Munich organization after the Collapse. The writer argues that Haven’s changed reality and the city’s new possibilities make it impossible to continue under the old structure. The memo references Überreich’s mission to “Push the boundaries,” along with progress in data security, AI development, and the Palaipafos venture. The memo is signed by Taylor Levine, CEO of Überreich Haven. A yellow sticky note is attached near the bottom of the page. In handwritten text, it says, “He’s still using ‘CEO’! How do we fix this? -J” - [Chapter 03: Scylla - Page 30](https://www.dystopia.ink/comic/sc0330/) - Page 30 is the finale of Chapter 3 and follows Ventrik alone inside one of Scylla’s organic tunnel openings. In the first panel, the view looks back into the chamber where Tanya has been pushed into Scylla's tendrils. Seen over Ventrik’s right shoulder, he bends down to pick up the tablet Tanya had been carrying. The screen shows a self-image of Tanya, fitter and more athletic, with the gray cloud of whirling fangs that is Scylla beginning to envelop her from behind. The second panel is a close view of the tablet in Ventrik’s hands. Tanya’s image on the Net is being shredded by Scylla. Her eyes remain on an arc of digitized squares, like one of the last figments of her, while a long scream trails across the panel. In the third panel, Ventrik faces the tablet directly. His expression remains calm and analytical. His augmented glove rests against the tablet while a yellow caption box reads, “Identity destruction? But slower than the real? Something spiritual even?” In the fourth panel, Ventrik turns the tablet off with a click. The green glow fades against his hand as he stands within the organic tunnel. The final panel shows Ventrik’s silhouette outlined in faint purple light as he moves deeper into the dark passage, carrying the tablet. A yellow caption box reads, “Perhaps something to explore closer to the source? Maybe.” - [Chapter 03: Scylla - Page 29](https://www.dystopia.ink/comic/sc0329/) - Scylla Page 29 focuses on Tanya as she realizes too late what Ventrik has done. The top panel is an extreme close-up of Tanya’s wide blue eyes, her expression shocked and terrified. A small speech balloon between her eyes reads, “What-?” Three narrow panels show Ventrik shoving Tanya from within the cave entrance. In each panel, she falls backward into the waiting tendrils of Scylla. At first, Ventrik’s augmented glove is shoves Tanya in the chest as she loses balance. In the next panel, her body tilts farther back as the pink tendrils begin wrapping around her arms and torso. In the third, more tendrils seize her body, tightening around her limbs and neck as sound effects indicate snapping and crushing. The final large panel shows Tanya suspended in open space as Scylla’s tendrils tear her apart. Her body is violently separated at the torso, with blood spraying across the background. Additional tendrils bind her legs, waist, neck, and head as sound effects define the damage. - [Chapter 03: Scylla - Page 28](https://www.dystopia.ink/comic/sc0328/) - Ventrik and Tanya retreat into the Scylla's tunnel network as a mass of pink tendrils fills the chamber behind them. In the first panel, the pair run toward a tunnel entrance while the creature's tendrils dominate the foreground. The murky green "cess" winds through the chamber below and blood stains the wall near the opening where corporate security have recently been killed. Tanya stumbles as they enter the tunnel. Ventrik reaches toward her with his technologically augmented glove while she catches herself on the dark, root-like structures embedded in the passage. Crouched inside the tunnel, Tanya pauses as another loud screech echoes through the chamber. Tendrils remain visible behind her through the opening. The conversation shifts as Ventrik asks whether Tanya is "present" and whether Scylla can see her online. Tanya kneels within the tunnel and listens while the chaos continues beyond the entrance. A close-up panel shows Tanya explaining that she is only peripheral and not actively manifesting. Her expression is thoughtful and measured despite the danger around them. In the final two panels, Ventrik extends his hand to help Tanya rise. Ventrik places his augmented hand on her shoulder. He appears focused and determined as he tells her that her answer will make for an even better test. - [Chapter 03: Scylla - Page 27](https://www.dystopia.ink/comic/sc0327/) - Tanya grabs Ventrik by the front of his jumpsuit and forcefully pulls his attention away from the sample he recovered from Scylla. Her expression is intense and frustrated as she reminds him that survival is more important than research. The floor around them is covered with rubble and debris from the collapsing chamber. In the next panel, Scylla’s tendrils slams a armored security guard and wight against the wall near the tunnel entrance. Blood sprays across the concrete as another wight disintegrates into green particles. Ventrik and Tanya watch from below as the violence unfolds around them. A wider panel shows the pair standing at the entrance to the tunnel as chunks of stone and debris fall and obscure the entrance. Ventrik exclaims that they need to retreat the way Scylla entered the chamber. Standing amid the wreckage, Tanya questions whether they can safely return and wonders if they even know where the creature originally came from. Behind them, damaged pipes, scattered rubble, and Scylla’s tendrils remain visible. In the fifth panel, Tanya and Ventrik drop low behind a large boulder as they navigate the field of debris. Several tendrils sweep across the foreground, emphasizing how little time and space they have to act. The final panel shows the chamber filling with a tangled mass of pink tendrils. Tanya and Ventrik move toward the tunnel opening as Scylla’s presence dominates the frame and a loud scream echoes through the chamber. - [Chapter 03: Scylla - Page 26](https://www.dystopia.ink/comic/sc0326/) - Tanya kneels beside Ventrik at the edge of the murky green "cess" after he has been knocked unconscious by Scylla. Both are partially sprawled across wet rubble and dirt beside the water. Ventrik’s technologically augmented glove rests across his chest, its built-in capsule visibly containing the sample taken from Scylla. Tanya urgently asks what happened. In the next panel, Ventrik weakly raises the glove and tells Tanya that he obtained the sample. The capsule remains sealed inside the mechanical palm device as Tanya rolls over and rests her head on hand. Sitting upright beside the green water, Ventrik explains what he observed. Tanya notes that when the creature kills wights, their bodies are absorbed into her avatar-like form. A larger panel shows Ventrik in a bit of a daze examining the sealed specimen inside the glove while internally questioning what Scylla is doing. Yellow caption boxes convey his thoughts as he wonders whether the creature intentionally lured the netwights toward her to gain intelligence, awareness, or some greater purpose. Scylla’s tendrils and rubble remain partially visible in the background. Tanya grabs Ventrik by the face and urgently tells him they have to leave immediately. Her expression is tense and direct as she tries to force him to focus on survival rather than research. The final close-up panel centers on Ventrik’s face as he quietly protests about “the research.” A yellow caption box suggests an internal realization or shock connected to Scylla’s behavior. - [Chapter 03: Scylla - Page 25](https://www.dystopia.ink/comic/sc0325/) - Scylla Page 25 - [Chapter 03: Scylla - Page 24](https://www.dystopia.ink/comic/sc0324/) - A large tendril from Scylla crashes through the chamber and strikes Ventrik, knocking him rearward into the murky green water of the cess as debris and rubble surround him. The scene shifts to a flashback during a heavy rainstorm. Ventrik, wearing a yellow rain poncho, crouches beside armed Metascience security personnel in front of rows of vertical hydroponic plants. One soldier urgently tells him they need to get him out of the area. In close-up panels, Ventrik questions why he is being singled out for extraction, asking whether gangs are trying to steal the plants or kill everyone involved. Another soldier explains that the attackers are from a rival corporation and that they specifically want him. Yellow caption boxes convey Ventrik’s internal thoughts, revealing that rather than destroying the engineered protein vines, the attackers want the person responsible for creating them. In the final panels, the soldiers discuss calling for reinforcements while another watches the perimeter with a rifle. Rain continues to pour across the scene as Ventrik looks toward the ongoing chaos surrounding the facility. - [Chapter 03: Scylla - Page 23](https://www.dystopia.ink/comic/sc0323/) - Ventrik steps into a murky green pool of water at the edge of the chamber, ripples spreading outward as he steadies himself among scattered debris. Yellow caption boxes convey his internal thoughts, questioning the origins of Scylla and referencing earlier ideas about mutation and the “cess.” Standing waist-deep in the water, Ventrik balances himself as the surface churns slightly around him. His internal captions continue, questioning how Scylla could be connected to the “net” and what might create that kind of mutation. A tendril moves through the background as the chamber remains unstable. Ventrik raises his right hand, which is fitted with a technologically augmented glove. The glove features visible circuits and small illuminated elements across its surface. In his internal thoughts, he reflects on the relationship between chaos and possibility. In the next panel, Ventrik reaches forward and grips a section of Scylla’s tendril as it presses against rubble. The glove’s palm contains small blade-like instruments and a tube-like collection device. As he makes contact, the blades extract a sample from the tendril. The final panel shows a close-up of the glove, where the collected organic sample is stored inside the built-in capsule. A yellow caption box emphasizes that the sample is now physically in his grasp. - [Chapter 03: Scylla - Page 01](https://www.dystopia.ink/comic/sc0301/) - The page opens with a bold title DYSTOPIA and the blood-red, jagged subtitle SCYLLA beneath it, set against a cracked stone backdrop. Below, the main panel shows a long industrial sewer tunnel lined with red-brick walls, stone arches, and looping metal pipes. Deep, jagged claw-gouged channels tear through both sides of the tunnel, exposing packed earth and suggesting that something massive burrowed straight through. From the streets above, gunfire and explosions rumble through the manhole covers rendered as THUD THUD THUD, BOOM!, and KA-BANG!, signaling a battle raging overhead while the sewer remains a grim quiet zone. In the foreground, Tanya stands on the left wearing a light-green hoodie, the large “M” logo of the Metascience Corporation displayed on the right chest. She studies a tablet with calm analytical focus. Beside her is Henry Ventrik, dressed in a one-piece industrial protective jumpsuit bearing the same Metascience logo. He adjusts his glasses as he studies the claw damage, his expression thoughtful and calculating. Crumbled debris and loosened soil spill across the walkway around them. Caption boxes frame Ventrik’s thoughts: first observing that what struck him wasn’t the size of the creature that carved the tunnel, but the tensile strength of the claws capable of doing it; the second noting that such a realization is exactly the kind of thought a weapons designer would have. - [Chapter 03: Scylla - Page 02](https://www.dystopia.ink/comic/sc0302/) - Continuing Dystopia Chapter 3 - Page 2: The story picks up in the underground sewers - what appears to be a creature’s burrow has torn straight through the brick walls and carved out an organic, twisting passage in the earth. The walls of the tunnel are scared by rough, ribbed claw marks, forming a long, tapering corridor of churned soil. Tanya and Ventrik stand at its edge studying the fresh gouges and the slime residue clinging to the tunnel walls. In the first panel, Tanya and Ventrik inspect the large circular opening where the creature has dug through. Tanya holds her tablet while Ventrik leans closer to analyze. A caption notes that the claw marks are fresh and that wherever “she” travels, she leaves behind a slime trail. In the second panel, Tanya walks ahead toward the carved-out tunnel while Ventrik follows, and she glances back, openly questioning why they’re the ones sent down here. The third panel shows Tanya more directly, asking whether there wasn’t someone at Metascience “more… useful” who could have taken this assignment instead. Ventrik adjusts his glasses while she studies her tablet again; Ventrik's caption clarifies her meaning—by “useful,” she really meant “expendable” and “less concerned about stepping in sewage.” The next panel focuses on Ventrik as he calmly explains that everyone who’s truly useful is either already deployed elsewhere or lacks the expertise needed for this specific initiative. He glances at an arm-mounted display with shifting images and flashing data. In the final panel, Ventrik’s calm and expressionless face fills the frame in a close-up. He remarks that Metascience has already stretched its security personnel thin and that sometimes, there’s nothing like taking matters into your own hands. - [Chapter 03: Scylla - Page 03](https://www.dystopia.ink/comic/sc0303/) - This page transitions from the subterranean tension of Chapter Three: Scylla to a polished corporate office, revealing the internal power dynamics within Metascience that run parallel to the events unfolding in the tunnels. DeBarett, a sharply dressed mid-management employee stands at Ventrik's desk with an air of confident entitlement. He leans forward as he tells Ventrik, “You can’t do this,” expecting the weight of the company hierarchy to settle the matter. Across from him, Ventrik sits calmly at a laptop, fingers steepled, responding with steady, almost amused composure. The office setting - grandfather clock, carved woodwork, and heavy furniture—contrasts with the mud and chaos of the sewer environment from previous pages of the webcomic. Their exchange focuses on Metascience’s contracts: DeBarett cites the board’s expectations, while Ventrik points out that there is a single contract left (after the Tribunal project was stolen), and that redirecting every resource toward it ignores the broader potential of his research. Ventrik explains that isolating the biological factor behind certain individuals’ extraordinary power could reshape future contracts entirely. DeBarett pushes back, reminding him why such work was outlawed and warning that "when information escapes, the company loses control, and when Metascience loses control, outside forces on the Circuit or beyond inevitably exploit the weakness". The page ends with their ideological divide laid bare: Ventrik’s vision versus DeBarett’s corporate caution and self-importance, highlighting how ambition and internal politics shape the world of Dystopia as much as anything happening underground. - [Chapter 03: Scylla - Page 04](https://www.dystopia.ink/comic/sc0304/) - Supernatural Cyberpunk webcomic - Continues the confrontation introduced on page three of Chapter Three, focusing on a measured but increasingly pointed exchange between Ventrik and DeBarett inside the Metascience offices. The opening panel is a close-up of Ventrik’s face, his expression calm and unreadable behind reflective glasses as he questions the Circuits role in supporting interactions between the arcologies. He explains that no system can fully prevent theft or information loss and argues that, eventually, Metascience will have to work directly with other companies simply to maintain access to resources. Ventrik adds, with detached confidence, that no one is truly trapped in this place and that he could always return to the “real world” if he chose. The perspective then shifts to DeBarett, shown standing with his arms crossed, posture rigid despite his polished appearance. He dismisses Ventrik’s claim with a quiet scoff, pointing out that everyone has heard how people on the outside are treated, and that no one truly trusts them enough to make it past the cordon in the first place. DeBarett concedes, with restrained sarcasm, that Ventrik could go back to work in the outside world if he wished. Ventrik adds a final, cutting remark that he could just as easily go work for the Wizards underscoring the ideological divide between calculated scientific ambition and corporate loyalty within the dystopian hierarchy. - [Chapter 03: Scylla - Page 05](https://www.dystopia.ink/comic/sc0305/) - Scylla page five escalates the confrontation between Ventrik and DeBarett, shifting from restrained debate to open hostility while maintaining the veneer of corporate control. In the opening panel, DeBarett leans aggressively across his desk toward Ventrik, bracing himself with both hands as he questions whether Ventrik truly wants to work for “those freaks,” warning that attempting to do so would likely result in Ventrik being a "brain in a jar" somewhere in Iron Wizards' tower. Ventrik remains seated and composed, absorbing the threat without visible reaction. The next panel shows DeBarett straightening up and spreading his hands dismissively, adding that such an outcome would only happen if anyone even considered Ventrik’s mind worthwhile. In the following panel, DeBarett turns away, posture rigid with authority, issuing a sharp order as he prepares to leave the office: Ventrik is to stay out of the sewers and is not to deploy another security team below ground. He reinforces the threat by stating that disobedience will result in the board cutting off Ventrik’s protection and feeding him to the gangs. The final panel focuses on Ventrik, hands clasped near his face in quiet contemplation rather than fear. A caption reveals his internal thoughts: he admits he had never seriously considered working for one of the gangs on Level Three, viewing them as largely overmatched by larger powers like the Wizards, but now considers the possibility worth noting, especially given rumors that the Gorekings may have already experimented with mutagenic work. The page ends with Ventrik calm, calculating, and already looking beyond the boundaries DeBarett believes he controls. - [Chapter 03: Scylla - Page 06](https://www.dystopia.ink/comic/sc0306/) - Scylla page six opens with soft panel borders, signaling a flashback to the conversation Ventrik has been having on previous pages. In these opening panels, Ventrik sits at his laptop, issuing calm instructions to get the equipment ready. On the screen, his assistant Tanya reports that Mr. DeBarett has just stormed through the outer office in a visible rage, nearly “steaming.” Ventrik dismisses DeBarett as irrelevant, echoing the emotional detachment and authority established on page five, and states that they will be heading "down within the hour." Between the third and fourth panels, the visual language shifts. The fuzzy borders disappear, and although Ventrik appears nearly unchanged, the setting resolves into the present moment deep within the caves. The similarity of his appearance bridges past and present, revealing that the earlier exchange was preparatory context for what is already underway. Now underground, Ventrik is illuminated by the sickly green glow of a wrist-mounted device, surrounded by tight, organic tunnel walls. In response to his query, Tanya confirms that “she” is in motion, traveling from the necropolis on level four. The page ends with a sudden, violent explosion from streets above the sewers and tunnels. The green readout flaring as the scene erupts into chaos, transforming the earlier, controlled planning into immediate and dangerous reality. - [Chapter 03: Scylla - Page 07](https://www.dystopia.ink/comic/sc0307/) - Inside a vast underground chamber where storm drains and pipes converge, Ventrik and Tanya stand in shallow, debris-strewn water as freshly carved tunnels gape open along the walls. Ventrik explains that his calculations suggest the entity they are tracking is moving south, directly toward them, drawn by the concentration of netwights and wraiths above. As he questions why the creature is referred to as “her,” explosions from the city overhead thunder through the chamber, shaking loose rock and sending debris cascading down as a massive blast knocks him backward. The instability of the space mirrors the uncertainty of their mission, culminating in a final, disquieting flashback panel of Ventrik calmly typing at his computer while an unseen voice responds to his concerns with a cold reminder: “That’s not part of the contract.” - [Chapter 03: Scylla - Page 08](https://www.dystopia.ink/comic/sc0308/) - Scylla Page 8 - [Chapter 03: Scylla - Page 09](https://www.dystopia.ink/comic/sc0309/) - Scylla Page 9 - [Chapter 03: Scylla - Page 10](https://www.dystopia.ink/comic/sc0310/) - A full comic page showing both a flashback and present-day underground action. In the top panel, Dr. Ventrik appears in close-up while a computer monitor beside him displays a chaotic image of a massive, swirling creature filled with many yellow eyes and open mouths. Yellow narration boxes describe the creature as a hunter rather than something driven by sustenance. The page then shifts to a tunnel underground, where Ventrik and Tanya crouch inside a rough, organic passage as Tanya reports that the creature is moving directly toward them. In the lower panels, Tanya holds a tablet while Ventrik opens his suit and removes a small, mechanical glove-like device with glowing indicators, preparing equipment as they wait in the tunnel. - [Chapter 03: Scylla - Page 11](https://www.dystopia.ink/comic/sc0311/) - Inside a narrow, organic tunnel underground, a silhouetted figures of Ventrik and Tanya run as dialogue indicates the creature is closing the distance. The scene shifts to a closer view of the two standing together in the tunnel, with Ventrik behind Tanya as she studies a handheld tablet. Subsequent panels show a tense, quiet exchange between them as Tanya addresses Ventrik formally, and he questions why she still calls him “Doctor.” The conversation continues in close-up shots of their faces, emphasizing proximity and unease. The page ends with both characters facing one another, Tanya visibly frustrated, as they argue about names, roles, and hierarchy while the threat remains just out of sight. - [Chapter 03: Scylla - Page 12](https://www.dystopia.ink/comic/sc0312/) - Scylla Page 12: A full comic page set primarily inside a narrow underground tunnel. Tanya, a blonde haired woman in a green hoodie, speaks forcefully in close-up, addressing Ventrik by name as she questions their relationship and priorities. The scene widens to show both characters standing near a large chamber opening as an explosion echoes above them from the city streets, sending debris and sound through the space. Tanya continues speaking as she turns away, asserting distance and independence, while Ventrik a heavy-set bearded man wearing a dark blue mechanics overall listens from behind. In a later panel, Tanya checks a tablet and announces that the creature is now fifty meters away as Ventrik raises a mechanical glove-like device from his suit and secures it to his right hand. The page ends with a flashback sequence showing a gloved hand being pulled on in the family room of the Ventrik home. Ventrik's wife, a sharp dressed woman with gray hair states, “You’re not coming,” as a caption reflects on the lasting impression of her expression. - [Chapter 03: Scylla - Page 13](https://www.dystopia.ink/comic/sc0313/) - Scylla Page 13: A comic page set in interior of the home of Ventrik during a flashback. Ventrik sits on a couch near a window as a Metascience emergency vehicle with flashing lights is visible on the street outside. Ventrik's wife, a finely dressed, gray-haired woman in a pink coat speaks to him, warning that his work may get him killed and that the city has become a war zone. In close-up, Ventrik responds that the arcolgies are becoming organized and that there is real potential in the emerging structure of the levels. Ventrik's wife cautions that some answers are not worth the trouble. In the final panels, she prepares to leave rolling a suitcase toward the door as she explains that the last expedition to the Rim leaves soon and that safety can only be guaranteed to a certain point. The page ends with her exiting, suggesting finality. - [Chapter 03: Scylla - Page 14](https://www.dystopia.ink/comic/sc0314/) - Scylla Page 14 - A comic page set inside a large underground chamber that serves as a catch basin for the sewers beneath the city of Haven. The top panel shows concrete walls lined with drainage openings and broken pipes as gunshots and explosions echo from the streets above: “BANG,” “KA-BLAM,” and “BOOM.” Water spills from a ruptured pipe into a shallow stream running across rubble-covered ground. On the right side of the chamber wall, a large circular tunnel opening has been breached. Pink-ish colored tentacles grip the edges of the large tunnel. As the creature slowly emerges, a guttural sound effect stretches across the panel. In the lower panels, Ventrik and Tanya stand inside a narrow earthen tunnel facing the chamber. Ventrik, wearing a blue jumpsuit and a tech-mechanical glove, gestures toward the creature and explains that it digs by reinforcing the bones behind its ridges, which must be strong enough to score concrete. Tanya looks up at him as the creature which looks like a large anemone emerges further from the tunnel. - [Chapter 03: Scylla - Page 15](https://www.dystopia.ink/comic/sc0315/) - SCYLLA PAGE 15 - A comic page set inside a catch basin chamber beneath the streets of the city Haven. In narrow top panels, a pink, semi-translucent tentacle slides across rubble and concrete, its surface textured with darker cells and a faint internal skeletal structure. The tentacle suddenly comes to attention, it's tip turning a darker color. In a side panel, Ventrik stands behind Tanya inside a narrow tunnel. He wears a blue work suit and a techno-mechanical glove. Tanya crouches in front of him holding a tablet. She asks if the creature can see them. Ventrik tells her not to move and says if it were certain, they would already be dead. A larger panel shows the full creature emerging into the chamber, resembling a massive pink sea anemone with dozens of thick tendrils radiating outward. Debris falls as it anchors itself against concrete and pipes and strikes at the ceiling of the chamber. A caption notes that the darker coloration at the ends of the tendrils may provide vision. Another caption states that even if they survive inside the sewers, they may not survive trying to leave. - [Chapter 03: Scylla - Page 16](https://www.dystopia.ink/comic/sc0316/) - A large underground chamber is shown with broken concrete, exposed pipes, and scattered rubble. In the center stands a massive pink creature resembling a giant sea anemone, its many thick tentacles spreading outward across the chamber floor. A faint glow can be seen emanating from the center of the creature’s body. Above the chamber, an open manhole allows the sounds of gunfire and explosions from the street to echo down into the tunnels. One of the creature’s long tentacles lashes upward and strikes the ceiling near a manhole opening, A large roar fills the panel as the creature reacts to the chaos above while debris and dust fall from the impact. - [Chapter 03: Scylla - Page 17](https://www.dystopia.ink/comic/chapter-03-scylla-page-17/) - Ventrik and Tanya stand in a tunnel opening as Scylla fills the chamber beyond. Tanya looks down, tense, while Ventrik rests a mechanical hand on her shoulder. In the next panel, Ventrik observes the creature from behind as a faint patterned glow appears within its body. He suggests the light behaves like a signal or scan, comparing it to something musical or structured. The scene shifts to a blue-toned flashback inside a laboratory. Ventrik works at a bench with glass equipment while Tanya reviews technical documents nearby. The environment is calm but uncertain. Suddenly, violent shaking begins. Equipment rattles and both characters are thrown off balance as loud rumbling and explosive sounds fill the room. The final panels shows Tayna diving to the lab floor as the structure destabilizes. - [Chapter 03: Scylla - Page 18](https://www.dystopia.ink/comic/sc0318/) - A comic page shows a laboratory interior during a violent structural collapse. In the first panels, Ventrik and Tanya, both wearing white lab coats, react as cracks spread across the ceiling and walls. Tanya turns as the building rocks and shakes and begins to fall while Ventrik reaches toward her. In the next panel, Ventrik grabs Tanya and pulls her away as the structure shifts. Cracks in the structure continue as large chunks of ceiling break apart, fragments of concrete and equipment fall into the room. A wider panel shows both characters bracing themselves as debris rains down around them. In the final panels, the building continues to collapse, and the scene pulls back to reveal an exterior view where the ground in front of the building has fallen away, exposing underground levels and infrastructure as buildings tilt and break apart. - [Chapter 03: Scylla - Page 21](https://www.dystopia.ink/comic/sc0321/) - Ventrik and Tanya stand in the cave entrance to the underground chamber as Scylla, a large anemone-like creature fills the space, its tentacles spreading outward across rubble and shallow water. Several silhouetted netwights are diving into the chamber surrounding Scylla. Ventrik holds a tablet and instructs Tanya to continue observing the creature’s behavior while he prepares to move closer. In the following panel, Tanya raises a hand in concern as Ventrik looks ahead, focused and determined. Ventrik hands the tablet to Tanya and makes his way out of the tunnel and into the cavern… she is to observe while he retrieves a sample. Ventrik studies the creature from a distance, identifying a section of its tendrils that appears still or inactive among portions of collapsed debris. In the final panels, more silhouetted figures appear at the broken opening above the chamber. Soldiers continue to gather and begin firing weapons at the creature and wights as netwights continue throwing themselves over the edge and into the fray. - [Chapter 03: Scylla - Page 20](https://www.dystopia.ink/comic/sc0320/) - Ventrik and Tanya stand at the edge of a collapsed cityscape, looking down at the concentric layers below. A caption reflects that Tanya never made a sound as events unfolded. The scene shifts back to the underground chamber where the creature fills the space. The walls crack and debris falls as the structure of the underground chamber begins to fail. The ceiling of the chamber gives way. Silhouettes of armed figures and wights appear at an opening, suggesting activity on the level above as the collapse spreads. In the next panel, one of the creature’s tendrils strikes upward, violently impacting a figure who smashes in the wall of the chamber. A second figure is struck by another tentacle and vaporizes. The final panel returns to Ventrik observing a single tentacle trapped beneath debris, focused and composed as the destruction continues around him. - [Chapter 03: Scylla - Page 19](https://www.dystopia.ink/comic/sc0319/) - Two figures in white lab coats, Ventrik and Tanya, stand on a jagged cliff of broken debris overlooking a vast, devastated city. The landscape below has collapsed into massive concentric rings, forming layered terraces that descend toward a central basin. A large stadium sits intact within one of the lower levels, surrounded by dense urban structures. Water pours from ruptured pipes along the exposed cliff faces, forming waterfalls that spill into lower tiers. Sections of forest and neighborhoods cling to the edges of the terraces, while infrastructure such as roads, railways, and buildings appear fractured and displaced. The characters look out over the destruction in silence as a caption suggests the collapse may have occurred in a uniform, ring-like pattern. - [Chapter 01: Into Darkness - Page 02](https://www.dystopia.ink/comic/id0102/) - Into Darkness Page 2 - [Interlude: Sigils](https://www.dystopia.ink/comic/int06/) - Interlude: Sigils - [Interlude: Call to Action](https://www.dystopia.ink/comic/int05/) - Interlude: Call to Action - [Chapter 02: Midwife, aborted - Page 25](https://www.dystopia.ink/comic/ma0225/) - supernatural cyberpunk webcomic series - [Chapter 02: Midwife, aborted - Page 24](https://www.dystopia.ink/comic/ma0224/) - indie comic Detroit supernatural cyberpunk - [Chapter 02: Midwife, aborted - Page 22](https://www.dystopia.ink/comic/ma0222/) - flashback sequence featuring a younger Angie - [Chapter 02: Midwife, aborted - Page 23](https://www.dystopia.ink/comic/ma0223/) - Angie's parents debate the value of submitting to the tribunal - [Chapter 02: Midwife, aborted - Page 21](https://www.dystopia.ink/comic/ma0221/) - 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Additional functionality provided by: WP Canvas - Gallery ## Categories - [Uncategorized](https://www.dystopia.ink/category/uncategorized/) - [Creative](https://www.dystopia.ink/category/creative/) - [Lore](https://www.dystopia.ink/category/lore/) - [History](https://www.dystopia.ink/category/history/) - [First steps](https://www.dystopia.ink/category/first-steps/) - [The Mime](https://www.dystopia.ink/category/the-mime/) - [The Gargoyle](https://www.dystopia.ink/category/the-gargoyle/) - [Creative Process](https://www.dystopia.ink/category/creative-process/) - [Genre](https://www.dystopia.ink/category/genre/) - [Writing](https://www.dystopia.ink/category/writing/) - [Editorial](https://www.dystopia.ink/category/editorial/) - [Color choices](https://www.dystopia.ink/category/color-choices/) - [ShadowNet](https://www.dystopia.ink/category/shadownet/) - [Jackwraiths/Netwights](https://www.dystopia.ink/category/jackwraiths-netwights/) - [Tarterus](https://www.dystopia.ink/category/tarterus/) - 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[Canis Majoris](https://www.dystopia.ink/category/canis-majoris/) - [Principle](https://www.dystopia.ink/category/principle/) - [resource](https://www.dystopia.ink/category/resource/) - [podcast](https://www.dystopia.ink/category/podcast/) - [The Black Market](https://www.dystopia.ink/category/the-black-market/) - [The Phalanx](https://www.dystopia.ink/category/the-phalanx/) - [The Posh Street Flaming Screamers](https://www.dystopia.ink/category/the-posh-street-flaming-screamers/) - [Morlocks](https://www.dystopia.ink/category/morlocks/) - [Seville](https://www.dystopia.ink/category/seville/) - [Patreon](https://www.dystopia.ink/category/patreon/) - [Greek mythology](https://www.dystopia.ink/category/greek-mythology/) - [Shakespeare](https://www.dystopia.ink/category/shakespeare/) - [Hangout](https://www.dystopia.ink/category/hangout/) - [Discord](https://www.dystopia.ink/category/discord/) - [storytelling](https://www.dystopia.ink/category/storytelling/) - [artwork](https://www.dystopia.ink/category/artwork/) - [Bloodpulse](https://www.dystopia.ink/category/bloodpulse/) - [Shadow Dragons](https://www.dystopia.ink/category/shadow-dragons/) - [Pit Crews](https://www.dystopia.ink/category/pit-crews/) - [Walkers](https://www.dystopia.ink/category/walkers/) - [Warhammer 40K](https://www.dystopia.ink/category/warhammer-40k/) - [Violence](https://www.dystopia.ink/category/violence/) - [Worldbuilding](https://www.dystopia.ink/category/worldbuilding/) ## Tags - [fifth panel comics](https://www.dystopia.ink/tag/fifth-panel-comics/) - [history](https://www.dystopia.ink/tag/history/) - [publishing](https://www.dystopia.ink/tag/publishing/) - [creative process](https://www.dystopia.ink/tag/creative-process/) - [Gothic](https://www.dystopia.ink/tag/gothic/) - [Razorwire](https://www.dystopia.ink/tag/razorwire/) ## Chapters - [1 - Into Darkness](https://www.dystopia.ink/chapter/intodarkness/) - On the rim of the city formerly known as Haven, military forces work to repel the undead emerging from the Dead Zone… - [2 - Midwife, aborted](https://www.dystopia.ink/chapter/midwife/) - Explores the Tribunal’s control over engineered births within Haven, revealing a system where creation, identity, and survival are tightly regulated as deeper cracks in the city’s moral and structural foundations begin to surface. - [3 - Scylla](https://www.dystopia.ink/chapter/scylla/) - Ventrik and Tanya descend into the depths beneath Haven, where a growing underground threat reveals patterns of behavior and connection that suggest the city’s collapse is neither random nor fully understood. - [1.5 - Interlude](https://www.dystopia.ink/chapter/interlude/) - [2.5 - Interlude](https://www.dystopia.ink/chapter/interlude2/) - [3.5 - Interlude](https://www.dystopia.ink/chapter/interlude3/) - [4 - Shadow's Depths](https://www.dystopia.ink/chapter/id2/) ## Comic Tags - [horror](https://www.dystopia.ink/comic-tag/horror/) - [cyberpunk](https://www.dystopia.ink/comic-tag/cyberpunk/) - [comics](https://www.dystopia.ink/comic-tag/comics/) - [supernatural](https://www.dystopia.ink/comic-tag/supernatural/) ## Locations - [Level 1: The Rim](https://www.dystopia.ink/comic-location/level-1-the-rim/) - [Level 2: Control Ring](https://www.dystopia.ink/comic-location/level-2-control-ring/) - [Level 3: Circuit City](https://www.dystopia.ink/comic-location/level-3-circuit-city/) ## Characters - [Lieutenant Bradson](https://www.dystopia.ink/comic-character/lieutenant-bradson/) - [Thought Police](https://www.dystopia.ink/comic-character/thought-police/) - [Netwight](https://www.dystopia.ink/comic-character/netwight/) - [Colonel Frazier](https://www.dystopia.ink/comic-character/colonel-frazier/) - [Angie](https://www.dystopia.ink/comic-character/angie/) - [8244](https://www.dystopia.ink/comic-character/8244/) - [Nefeshim](https://www.dystopia.ink/comic-character/nefeshim/) - [Counselor](https://www.dystopia.ink/comic-character/counselor/) - [Ophan](https://www.dystopia.ink/comic-character/ophan/) - [Ophan Guard](https://www.dystopia.ink/comic-character/ophan-guard/) - [Ophan Tender](https://www.dystopia.ink/comic-character/ophan-tender/) - [Ophan Supplicant](https://www.dystopia.ink/comic-character/ophan-supplicant/) - [Ventrik](https://www.dystopia.ink/comic-character/ventrik/) - [Tanya](https://www.dystopia.ink/comic-character/tanya/) - [DeBarett](https://www.dystopia.ink/comic-character/debarett/) - [Ben Eberstaff](https://www.dystopia.ink/comic-character/ben-eberstaff/) - [Scylla](https://www.dystopia.ink/comic-character/scylla/) - [Uberreich](https://www.dystopia.ink/comic-character/uberreich/) - [Burger Clown](https://www.dystopia.ink/comic-character/burger-clown/)